Intaglio gem

2006af1528 jpg l

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Acquired in 1871 (the spelunker thinks)

artist
Unknown
attributions_note
bibliography
List of Objects in the Art Division, South Kensington, Acquired During the Year 1871, Arranged According to the Dates of Acquisition. London : Printed by George E. Eyre and William Spottiswoode for H.M.S.O. p. 54. Machell Cox, E., Victoria & Albert Museum Catalogue of Engraved Gems. London, Typescript, 1935, Part 2, Section 2, p. 276.
collection_code
SCP
credit
date_end
0200-12-31
date_start
0100-01-01
date_text
About 100-200 (made)
descriptive_line
Intaglio inscribed with four names in Greek characters, oval chalcedony, set in silver-gilt ring; Egypt, about 100-200
dimensions
Width: 16.5 mm, Height: 13 mm
edition_number
event_text
exhibition_history
gallery
historical_context_note
Engraved gemstones of all dates were widely collected in Italy in the eighteenth and nineteenth centuries. Many were brought back by British Grand Tourists, and important collections were formed.
historical_significance
history_note
Ex Waterton Collection. Edmund Waterton (1830-81) is referred to as one of a group of 'pioneer collectors' by Diana Scarisbrick, 'C.D.E. Fortunum as a collector of rings and gems', C.D.E. Fortnum and the collecting and study of applied arts and sculpture in Victorian England, Ed: Ben Thomas and Timothy Wilson, 1999. His collection of approximately 760 rings, formed with the aim of illustrating the history of rings of all period and types, was acquired by the Museum in 1871 and 1899. Waterton, in 1868 'of Walton Castle, near Wakefield, in the county of York, but now residing at Ostend in the Kingdom of Belgium', got into financial difficulties, and was later to be declared bankrupt. The collection of rings was held as security against a loan by the jeweller Robert Phillips for two years from March of that year. The loan was to be repaid by Waterton by March 1870, but the deadline was not met. Phillips having first contacted the Museum regarding the possible purchase of the rings in 1869, the purchase was recommended by the Board of the Museum in a minute of 20 April 1871. The majority of the rings are held in Metalwork Section, a small number in Sculpture Section.
id
82288
label
last_checked
2014-08-30T00:55:27.000Z
last_processed
2014-08-30T00:55:27.000Z
latitude
26.69636
location
In Storage
longitude
30.246469
marks
AROPANO/CIATIOCAI I/HEIKOMH I/AMALKIMO/C Names
materials
silver-gilt, chalcedony, gemstone, microquartz
materials_techniques
Engraved gemstone
museum_number
584-1871
museum_number_token
5841871
object_number
O106598
object_type
Intaglio
on_display
original_currency
English pounds, shillings and pence
original_price
£1 10s
physical_description
Horizontal oval intaglio. Colourless translucent chalcedony. Inscription in five lines. Set in silver-gilt ring.
place
Egypt
primary_image_id
2006AF1528
production_note
Romano-Egyptian
production_type
public_access_description
The art of engraving gemstones can be traced back to ancient Greece in the 8th century BC and earlier. Techniques passed down to the Egyptians and then to the Romans. There were major revivals of interest in engraved gems in Europe during the Byantine era, the Middle Ages, the Renaissance, and again in the 18th and 19th centuries. At each stage cameos and intaglios, these skillful carvings on a minute scale, were much prized and collected, sometimes as symbols of power mounted in jewelled settings, sometimes as small objects for private devotion or enjoyment. This intaglio seal stone, identified as having been made in Egypt under Roman rule, is engraved with four names, the significance of which we can only guess at. It is possible that it was a keepsake, given to a friend or loved-one, and they are the names of a group of friends, or of family members.
related_museum_numbers
rights
3
shape
site_code
slug
intaglio-gem-intaglio-unknown
sys_updated
2013-08-17T00:00:00.000Z
techniques
gem engraving
title
Intaglio gem
updated
vanda_exhibition_history
year_end
200
year_start
100