No Title

2006af1515 jpg l

View the V&A API .json response

Acquired in 1863 (the spelunker thinks)

artist
Unknown
attributions_note
bibliography
Inventory of Art Objects Acquired in the Year 1863 In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 53 Trusted, Marjorie, ed. The Making of Sculpture. The Materials and Techniques of European Sculpture. London: 2007, p. 145, pl. 271 Machell Cox, E., Victoria & Albert Museum Catalogue of Engraved Gems. London, Typescript, 1935, Part 1, p.30
collection_code
SCP
credit
date_end
0300-12-31
date_start
date_text
300-200 BC (made) 18th century (altered)
descriptive_line
Cameo in form of a scarab beetle, and on the reverse intaglio of a faun or satyr, oval amethyst, set in gold ring; Italy, 300-200 BC
dimensions
Height: 15 mm, Width: 11 mm, Depth: 7 mm
edition_number
event_text
exhibition_history
gallery
historical_context_note
Engraved gemstones of all dates were widely collected in the eighteenth and nineteenth centuries. Many were brought back from Italy by British Grand Tourists, and important collections were formed.
historical_significance
history_note
Purchased from John Webb. John Webb was a London dealer who travelled and purchased widely in Europe. He placed large numbers of objects including many important ivories on loan at the Museum, selling them to the Museum as funds became available, particularly in the 1860s. Webb had a collection of around 170 pieces of antique jewellery from which around twenty, many containing engraved gems, were eventually selected for purchase by the Museum. The majority are held in the Metalwork collection, 2 in the Sculpture collection. Historical significance: For similar intaglio see 'Classical Gems: Ancient and Modern Intaglios and Cameos in the Fitzwilliam Museum, Cambridge' by Martin Henig, 1994, p.63, no.104.
id
79436
label
last_checked
2014-08-30T00:45:16.000Z
last_processed
2014-08-30T00:45:16.000Z
latitude
42.502998
location
In Storage
longitude
12.57341
marks
materials
amethyst, gemstone, macroquartz
materials_techniques
Engraved gemstone
museum_number
8765-1863
museum_number_token
87651863
object_number
O103185
object_type
Intaglio
on_display
original_currency
original_price
physical_description
Vertical oval cameo/intaglio. Pale purplish translucent amethyst bead, pierced through and attached with revolving pin to gold ring. One side is domed and carved in the form of a scarab beetle. The other side is flat and depicts a faun or satyr with a short tail, naked except for a cloak flying from his shoulders. He is standing on his right leg facing right, his left leg drawn up possibly in order to adjust his sandle. In the field a shepherd's crook. Hatched border. Set in a gold ring.
place
Italy
primary_image_id
2006AF1515
production_note
Ring ca. 1800-50 Attribution note: The pale purplish colour is concentrated towards the head end of the scarab
production_type
public_access_description
The art of engraving gemstones can be traced back to ancient Greece in the 8th century BC and earlier. Techniques passed down to the Egyptians and then to the Romans. There were major revivals of interest in engraved gems in Europe during the Byantine era, the Middle Ages, the Renaissance, and again in the 18th and 19th centuries. At each stage cameos and intaglios, these skillful carvings on a minute scale, were much prized and collected, sometimes as symbols of power mounted in jewelled settings, sometimes as small objects for private devotion or enjoyment. The scarab is an ancient symbol dating back to around 8,000 BC. For the ancient Egyptians, the scarab beetle pushing the ball of dung containing its eggs was a metaphor for the daily passage of the sun across the sky, and thus for the concept of rebirth. Carved scarabs exist from giants 15 metres long and 9 metres high, to tiny amulets used as charms or in burials, and seal stones or ornaments for personal use. Materials used vary according to perceived properties of the stone, or intended use. The popularity of scarabs as charms and ornaments persisted, and they continued to be made, the skill passing from Egypt to Greece, and thence to Italy. The intaglio carving on the flat underside of this one places it in Italy around 300 BC.
related_museum_numbers
rights
3
shape
site_code
slug
intaglio-unknown
sys_updated
2013-08-17T00:00:00.000Z
techniques
title
updated
vanda_exhibition_history
year_end
300
year_start
-200