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Acquired in 2000 (the spelunker thinks)

artist
Beleschenko, Alexander (FMGP, FRSA, Hon FRIBA)
attributions_note
bibliography
collection_code
CER
credit
Purchased with funds from the James Yorke-Radleigh Bequest
date_end
2000-12-31
date_start
2000-01-01
date_text
2000 (made) 1999-2000 (designed)
descriptive_line
Stained glass panel, one of a pair commissioned for the Silver Galleries, made by Alexander Beleschenko, 2000
dimensions
edition_number
event_text
exhibition_history
gallery
Silver, room 68
historical_context_note
historical_significance
history_note
id
41307
label
last_checked
2014-08-29T22:07:26.000Z
last_processed
2014-08-29T22:07:26.000Z
latitude
51.62315
location
Silver, room 68, case WE
longitude
-3.94093
marks
materials
materials_techniques
Glass squares, mouth blown, painted with enamels, and with an etched design filled with lustre and enamel, mounted on larger glass panel, with designs of stencils cut using digitally controlled technique
museum_number
C.27-2000
museum_number_token
c272000
object_number
O48732
object_type
Panel
on_display
1
original_currency
original_price
physical_description
One of a pair (the other is C.28-2000) of stained glass panels in hinged wooden frame with nine compartments, each made up of squares of glass laid down on supporting panes of glass. The abstracted designs, rendered in shades of blue, yellow and silver/grey, are computer manipulated enlargements of details of two objects in the Silver Galleries. The glass squares are of mouth-blown 'antique' glass painted in enamels and with etched design filled with lustre and enamels, and with further surface treatments worked by hand (the etched dedication was strengthened with a diamond point, and the Museum has been in discussion with the artist about the possibility of emphasising it further). These glass squares are mounted on larger glass panels held in a hinged frame with nine compartments. The designs were based on enlargements of digital photographs of two objects in the Silver Galleries (silver and glass epergne C.158-1928). These enlargements, rendered in a half-tone pattern of twelve-pointed stars, were digitally manipulated, and the cutting of the stencils was computer.
place
Swansea
primary_image_id
production_note
production_type
public_access_description
related_museum_numbers
rights
2
shape
site_code
VA
slug
panel-beleschenko-alexander-fmgp
sys_updated
2013-08-17T00:00:00.000Z
techniques
title
updated
vanda_exhibition_history
year_end
2000
year_start
2000