'Salting Bequest (A. 70 to A. 1029-1910) / Murray Bequest (A. 1030 to A. 1096-1910)'. In: List of Works of Art Acquired by the Victoria and Albert Museum (Department of Architecture and Sculpture). London: Printed under the Authority of his Majesty's Stationery Office, by Eyre and Spottiswoode, Limited, East Harding Street, EC, p. 115
This silver coin of Augustus depicts Augustus on obverse and a sphinx on the reverse.
It is struck in Asia.
The use of the portrait is the most persistent and usually the most striking feature of coins of the Roman Empire. Particularly during the first three centuries of the Empire's existence (27 BC-AD 284) images of historically recorded (and some unrecorded) people appear on the majority of coins.
Roman coins acted as a vehicle for the quick and wide-reaching spread of propagandic images of Imperial power, at the centre of which was the embodiment of Rome and all that its Empire stood for, the Emperor himself. Roman coins survive in very large numbers and are frequently found right across Europe, reaching the furthest corners of the Empire.